Letters About Visual Storytelling

⬅️ Back to tags

068 / Perfecting The Theory

I’ve lost too much time trying to study the craft instead of just getting my hands dirty and making mistakes.


055 / Sequential Art

A look inside Berlin - one of the best graphic novels I’ve ever read and my thoughts on what filmmakers can learn from comics artists.


047 / More Thoughts On Words And Pictures

From Tilly Walden to William Blake - some inspirational notes on telling stories with words and pictures.


042 / I'm Still Thinking About These Ideas

A collection of ideas, quotes and provocations which are still lingering in my brain weeks after I saw them.


040 / More Of Your Questions, Answered

I answer your questions about how I made Jaron Lanier Fixes The Internet for The New York Times.


036 / Things I Know About Visual Storytelling

Sixteen tips to help you improve your filmmaking and comics art.


031 / All Sorts of Things Become Possible

Some lessons in filmmaking from the set of my latest video project.


030 / A New Film I'm Proud Of

A behind-the-scenes look at a new film I’ve made for The New York Times - plus some exciting news about a film I directed last year!


026 / Your Questions, Answered

A Q&A session with Third Something Readers - I answer questions about filmmaking and my creative process.


025 / The Threshold Of Awareness

This diagram helps me tell visual stories that make the audience both think and feel. Here’s how to use it.


021 / My Storyboarding Process

A step-by-step look at my previsualisation process for making a video for The New York Times.


019 / Five Miscellaneous Things

There’s a lot in this one! Poetry, filmmaking, graphic novels and visual storytelling - take your pick!


018 / Planned Improv

Notes on the balance between preparation and improv in the creative process, while shooting a film for The New York Times.


017 / Practicing Scales

Some practical advice on how filmmakers can build a daily practice habit that improves their craft.


013 / Three Thoughts on Visual Storytelling

On Spiderman Into The Spider-Verse, the nature of juxtaposition and writing screenplay dialogue.